Tunein international radio stations1/22/2024 Yes, those services stream on the internet and are accessible on the same computers, phones, set-top boxes, and smart speakers. Some folks lump on-demand music services like Pandora and Spotify in their “best of internet radio” roundups. Yeah, Afro-pop, Reggae, Prog-rock, R&B, and Hip-Hop are in the public interest, too! Pandora, Spotify et al are not internet radio I happily connect with government-supported, ad-free stations in locations like Britain, Germany, and Denmark, because those outlets’ format choices are often far more liberated than you’d typically find on public stations in the U.S. Ditto with displaced foreigners who crave to hear their native tongue. The ability to import distant signals has also proven a welcome development for displaced citizens-especially relocated sports fans who still want to follow their favorite teams with a distant web tune-in. The lossy digital compression schemes deployed in mid-1990s streaming audio players like RealAudio and Nullsoft were crude and extreme, with low bit rates chopping off each song’s head, tail, and feet to squeeze it through the modest data pipe available to private internet users at the time.Įven into the early 2000s, it was common to find “perceptual coded” MP3 streams running at rates as low as 16Kbps-buying into the psycho-acoustic theory that louder sounds obscure quieter ones, so why bother to shove all that “extra” data down the pipe? MP3 freaked the hell out of discerning musicians like Neil Young, who knew what was being lost in translation. Internet radio used to get a deserved rap for sound quality “approaching AM quality.” No longer. A recent, hour-long afternoon “sweep” of rustic folk classics like Sam Stone and Illegal Smile playing on Eclectic24 was all the announcement I needed to know that John Prine had just died, and that someone at the station was mourning and paying tribute. And when necessary, the shows can be turned on a dime. (That’s where song-identifying services like Shazam come in handy.) And hours or even days of programming might be scheduled in advance on the studio’s servers.Ĭomo Audio’s elegant Musica offers an excellent means of accessing the rich content available on internet radio.īut the quirkiness of the selections, the themes laid out in the segues indicate the presence of a human being, not an algorithm, making the aesthetic calls and structuring the playlist. You might not hear a DJ’s voice or even see a meta-data screen tag identifying the artists and tracks on a station like KCRW-Eclectic24. To my mind, true internet radio stations are independent, curated, and free they’re not corporate, computerized, and costly. The eerie, otherworldly strains make me feel like I’m living in a very strange movie. As I write, I’m listening to a very trippy electronica outlet from Bristol, UK: Noods Radio. Now tap Search and the gardener provides immediate access to radio outlets by country, city or call letters, plus bouquets of “Our Favorite Stations,” playfully categorized as Independent Stations, Energetic Rhythms (electronic, dance), Time Travel (content from decades gone by), Weird Frequencies (like Theatre Organ Radio and Birdsong Radio), and Ends of the Earth (self-explanatory). Radio.Garden lets you choose from internet radio stations based on their geographic location by clicking dots on a global satellite-photo map. But the service doesn’t have nearly the global reach or stylistic diversity of TuneIn or other hard-striving streaming radio promoters. Aiming to become a one-stop destination (and sell more advertising), iHeartRadio also serves up mass appeal playlists and personalized music stations (a la Pandora) has distribution deals with commercial radio chains in Canada, Australia, and New Zealand and also links listeners to some non-aligned stations. To access those, you need to tap into the iHeartRadio app and portal, likewise accessible for free on internet radios, smartphones, tablets, computers, and similar connected devices. markets owned by iHeartMedia (formerly Clear Channel Communications). The most notable gap in TuneIn’s channel library are the 853 commercial stations in 153 U.S. Senior director of marketing Ana Guillen tells me it is now attracting 75 million listeners a month and has witnessed an especially strong 53-percent uptick in news content listenership as the COVID-19 pandemic has escalated. With a global database of more than 100,000 stations in 197 countries and 22 languages, plus 5.7 million podcasts and on-demand show offerings, TuneIn comes closest to world radio completeness (and domination).
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